Caputo’s attempts to soften life in the prison, including allowing special family visitations for Mother’s Day, allows the show to explore a wide variety of mother-child relationships, including Sophia finding new ways to bond with her son now that she is mother rather than father, Boo helping Pennsatucky work through her feelings about not choosing motherhood, and, of course, Daya and Aleida struggling with their on-going issues and how these relate to Daya’s pregnancy. Mother’s Day (Season 3, Episode 1)īecause it’s the one where… Another season opener, “Mother’s Day” introduces the warmest and lightest season of Orange Is the New Black – but stories about love and joyful or bittersweet emotions can be just as powerful as stories about tragedy or cruelty.
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Introducing a pregnancy adds another level of danger to the riot, and while Pennsatucky’s mock trial is a little contrived, it does offer a good opportunity to showcase her friendship with Boo, one of the most surprising and affecting on the show. Season 5, the riot season, struggled in places with juggling Orange Is the New Black’s trademark shifts in tone, since the overall subject matter of the season was so serious – the season’s strongest elements by far were those dealing with Taystee’s fight for justice for Poussey.Īnd also: Boo defends Pennsatucky in front of the other inmates, basing her defense on Saved By The Bell, and Lorna realizes that she is pregnant. And on top of that, we’re forcefully reminded of what Taystee is fighting for – justice for her murdered friend – through some beautiful flashbacks to her friendship with Poussey. We already know the essentials of Taystee’s upbringing in the system from her Season 2 flashbacks, which centered around her relationship with Vee, but to see her young self’s hopes for a relationship with her birth mother dashed is heartbreaking. Like all season openers, this episode is primarily about setting up the storylines for the season – but this season’s storylines are powerful even in the setup.įlaming Hot Cheetos, Literally (Season 5, Episode 6)īecause it’s the one where… Taystee, who has become one of the most important characters on the show, gets some more of her backstory highlighted, and Samira Wiley makes her last appearance as Poussey Washington (in flashbacks).
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We’re also introduced to the culture of Max more generally, including the guards’ game of Fantasy Inmate, which has them setting inmates against each other to win points for themselves. Daya’s brutal beating from the guards becomes a modern dance sequence, emphasizing her helplessness and the repetition of the beatings, while Frieda’s attempted suicide appears as a surreal magic trick, allowing the viewer to focus on her facial expression of despair rather than on blood and gore.įurther Reading: Orange Is the New Black Season 7 ReviewĪnd also: Suzanne’s confusion is made worse by the fact Cindy has convinced her to cover up the fact that they overheard the SWAT team moving Piscatella’s body in order to pin his death on the inmates – meaning at least one of these women is going to be accused of a crime she didn’t commit. The advantage of this method is that it forces us to focus on the characters’ emotional state. With the cast stripped down to half its former size, we discover the new world of Maximum Security prison through Suzanne’s eyes, and the show uses surreal hallucinatory sequences to re-introduce our main characters. Who Knows Better Than I (Season 6, Episode 1)īecause it’s the one where… Suzanne struggles to cope without her medication in the aftermath of the riot.
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Tune in to an episode of Orange Is the New Black, and you don’t know whether you will see a hilarious story about erotic time travel fiction, a horror movie pastiche, or a dramatic punch to the gut that leaves you an emotional wreck. Tune in to an episode of The Handmaid’s Tale, and you know you’re probably going to see something grim and unpleasant. Those episodes that really pack a punch do so, not in spite of the comedic elements of the show, but because of them.
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No episode of Orange Is the New Black is entirely without humor, but some lean more heavily on the comedy than others, and many have produced powerful drama. Uzo Aduba has even won Emmys in the both the Comedy and Drama categories for playing Suzanne Warren.
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Officially billed as a “comedy-drama,” the show embraces everything from broad slightly surreal comedy – Kate Mulgrew’s famous chicken speech in season one being a prime example – to serious drama that takes on life and death issues from the real world. There are few shows on television that cover as many different tones and scenes of mood whiplash as Orange Is the New Black.